Imagining Otherwise encompasses current and past projects at the FHNW Academy of Art and Design, and strives toward socially transformative educational and design practices and more equitable futures.
The project started in October 2018, against the backdrop of massive feminist mobilizations, such as NiUnaMenos, Women's March, and Feminist Strike; and the rising demands from the students for design education that counters patriarchal-colonial narratives. Inspired by the research and activism of Palestinian design educator and researcher Danah Abdulla, we joined forces to start imagining design otherwise—a practice that is critical, situated, reflexive, and socially transformative.
Believing in the transformative potential of design and echoing Colombian anthropologist Arturo Escobar's words, we began asking ourselves: “How can design be infused with a more explicit sense of politics?” How can we participate in the recentering of design education by specifically situating it in relation to structures of inequality, sexism, racism, and colonialism? And how can we disrupt hegemonic epistemologies, ontologies, and systems from within a Eurocentric institution, and strive toward more equitable, pluralistic futures?
On this website, you can delve into different projects realized since 2018. They do not attempt to answer the aforementioned questions, nor to provide universally replicable solutions. Instead, they invite you to open your mind to alternatives, and to open up spaces of potential for change—as expressed by feminist activist and writer bell hooks: “a space where there is unlimited access to the pleasure and power of knowing, where transformation is possible.”
Team
Co-directors: Mayar El-Bakry, Maya Ober and Laura Pregger
Imagining Otherwise was co-conceived by Maya Ober and Laura Pregger. In 2019, Mayar El-Bakry joined the team to co-curate Educating Otherwise, a continuing education program.
IYO BISSECK is a France-based designer, researcher and artist. She holds a BA in Media Interaction design from ECAL in Lausanne, and an MA in Virtual and Augmented Reality research from Institut Polytechnique Paris. She is currently doing research at the CNRS focusing on biases in the modeling and perception of virtual agents. She is interested in power dynamics in artistic creation and production, which is why she is involved in projects such as the Black Film Festival Zurich, Dreaming Beyond AI or collectives such as Good for a Gxrl. In her work, she is interested in the biases showing the link between technologies and systems of domination and explores the limits of virtual worlds to create alternative narratives.